That was my grandfather. Why, he IS my grandfather. And then came my father and thence me. RSS Sr told me once a story, of a Brahmin on his way to another village. The other village is farther than he thought it was, and around noon, he is desperately hungry and thirsty. He comes across a house in the middle of that nowhere, and the man of the house asks him in, and offers him food. The Brahmin eats with haste, without hesitation. The gent then offers him water (the Brahmin is now satiated). Says: “Paapi (sinner), you want a pure Brahmin like me to drink your unholy water?”
I had a huge disagreement with RSS Sr (henceforth, grandpa). I said: “If a man is hungry and thirsty – alphabetically, hunger (aakali) comes before thirst (dappika). But isn’t it more logical for the Brahmin to have a little water, to have taken rest for a bit; maybe converse with the house-holder on matters spiritual and sacred? Having eaten off the house-holder’s kindness, why not drink a little more of his hospitality?”
Grandpa tried to argue it out on the grounds that hunger is a greater evil than thirst. I am still in two minds on that issue.
==
My uncle tells me that RSS Sr took sanyas, practically, when my father – his eldest or oldest son – refused to learn Smarta; my father, apparently wanted to go for English education, which – as it turns out – is smarter. And so RSS Sr went into what I like to call vaanaprastha (life in the wilderness; “life in bewilderment?”). Poor sap did not know what hit him between the eyes: shit hit him!
And so the breed got smarter and smarter. I can drool in coils and drawl faintings. Ha ha.
==
Ah, there is still the main point of this blog, which makes it a truly weblog. I was talking to my uncle this very p.m., who told me about RSS Sr listening to VividhBharati. There were a barrelful of commercial advertisements, said uncle. And he said: “Grandpa asked: ‘Will all these ads make people want more?”
Huh? Or duh?
==
Boys and girls, I am Rajanala Sankara sastry (that is already a mouthful, so I prefer to not use the Jr tag at the end of my name; suffice it to put sastry with initial lower-cased s.)
==
I have similar questions as did Rajanala Sankara Sastry Sr. About the world as it exists, about the way things are shaping up. Or down…
Sunday, June 26, 2011
Reposting: Wardrobe Failure In The Empire Of Prada
Oh well, in the previous post, I said: beautiful women and girls have a greater appeal than boys and women; I meant - 'boys and men'. Oh well, in this day and age - does it matter, I mean the gender? Old women of both sexes, said Uma. oui ma!
==
here is the revised retold Grimm's tale of wardrobe malfunction in the empire of Prada:
==
Many years ago there lived an Empress who was so fond of new clothes that she spent all her money on them in order to be beautifully dressed. She did not care about the arts or the theatre; she only liked to go out walking to show off her new clothes. As it is often said of an Empress, “She is in the boudoir,” they always said here, 'The Empress is in the wardrobe.' All this, by the way, happened in the great Empire of Prada.
One day two excellent weavers arrived from the land of China; they said that they knew how to manufacture the most beautiful cloth imaginable. Not only were the texture and pattern uncommonly beautiful, but the clothes which were made of the stuff possessed this wonderful property that they were invisible to anyone who was out of sync with contemporary fashion. I mean, folk who don’t subscibe to the Vogue…
The Empress thought: I could distinguish the fashionable and trendy from the stolid and dull, if I wore those clothes! And she gave both the weavers much money, so that they might begin their work.
The weavers placed two weaving-looms, and began to do their work; they also obtained the finest silk and the best gold, and worked at the looms till late into the night. And beyond: they slept in the midnight rooms. Infyrior companies call them ‘dorms’ (as in “bunker beds in which DORks sleep @ Midnights.”) After a while, the Empress thought: 'I will send my old and honoured girlfriend to the weavers. She can judge best what the cloth is like, for she knows fashion and sub-edits Vogue.'
The Empress’ girlfriend went to see what was cooking (or being woven) and thought: 'Dear me! I can see nothing!' But she did not say so. As a matter of fact, the weavers put nothing on the looms. [It is said that they could fit the “whole nine yard” in a match box, but that is another tale – another day.]
'Dear, dear!' thought the Vogue’s sub-editor: ‘Can I be so unfashionable? I have never thought that, and nobody must know it! Can I be not fit for my job? No, I must certainly not say that I cannot see the cloth!'’
'Have you nothing to say about it?' asked one of the men who was weaving.
'Oh, it is lovely, most lovely!' answered the chick who appeared on Vogue in her youth and sub-edited it later in life [and wrote Sultry Deys]. 'What texture! What colours! [So earthy… and so forth.] Yes, I will tell the Empress that it pleases me very much.'
'Now we are delighted at that,' said both the weavers, and thereupon they named the colours and explained the make of the texture.
The weavers now wanted more money, more silk, and more gold to use in their weaving. Sure enough, they got all that...
The Empress soon sent a worthy gay designer [let us call him Rohit Balls] to see how the weaving was getting on, and whether the cloth would soon be finished. It was the same with him as with the girlfriend [let us call her Ms Dey]; he looked and looked, but because there was nothing on the empty loom he could see nothing.
'Is it not a beautiful piece of cloth?' asked the two weavers, and they pointed to and described the splendid material which was not there.
Under peer pressure, the high priest of fashion and gaiety praised the cloth which he did not see, and expressed to them his delight at the beautiful colors and the splendid texture. He said the texture was full-bodied.
Now we have something ‘earthy’ [according to the girlfriend] and ‘full-bodied’ [according to the gay high priest of fashion]! Full-bodied, indeed, as you will see soon.
Soon, everybody in the town was talking of the magnificent cloth. Now the Empress went to see for herself while it was still on the loom. The weavers were now weaving with all their might, but without fibre or thread on the loom. The Vogue sub-editor and the gay designer started praising the colour and texture of the cloth; and started pretty much a chorus: earthy, full-bodied, subtle, sublime, sunburnt, sunbathed, pastel, plastered, and blah…
'What!' thought the Empress: 'I can see nothing! This is indeed horrible! Am I not trendy? [And quickly figured out that the two fashionistas could see something that she could not.] And said: “Oh, it is very beautiful.” And then she nodded pleasantly, and examined the empty loom, for she would not say that she could see nothing.
The following day, the Empress plans a procession in which she would display the new acquisition to her wardrobe: the weavers were up and were working by the light of over sixteen candles. The people could see that they were very busy making the Empress’ new clothes ready.
The weavers (who were also tailors – I mean, fashion designers, actually) cut the cloth with huge scissors in the air, sewed with needles without thread, and then said at last:
“Now the clothes are finished!”
Everyone said: “Handspun clothes are so comfortable that one would imagine one had nothing on at all; but that is the beauty of it!”
“Will it please your Highness graciously to take off your clothes,” said the weavers, “then we will put on the new clothes, here before the mirror.”
And so they dressed the Empress in empty clothes.
'Yes,' said all the courtiers, but they could see nothing, for there was nothing to see, by way of a dress. Let us not talk about what they could see.
You know the old yarn, right: The Empress went along in the procession under the splendid canopy, and all the people in the streets and at the windows said, “How matchless are the Empress’ new clothes! How beautifully the dress hangs!”
A thirteen year old girl in the crowd chimed in: “Mom, I want those fine clothes, can I please?” And the whole teen crowd in the city wails: “Mom/dad/honey/dear, I want those clothes and appear on the cover of Vogue. Please…”
[With apologies to the Grimm brothers, to excellent weavers of East Bengal and China, and teenagers who don’t know the difference between the Naked and the Dead. Check out: http://en.wikipedia.org/wiki/The_Naked_and_the_Dead_(film)]
==
here is the revised retold Grimm's tale of wardrobe malfunction in the empire of Prada:
==
Many years ago there lived an Empress who was so fond of new clothes that she spent all her money on them in order to be beautifully dressed. She did not care about the arts or the theatre; she only liked to go out walking to show off her new clothes. As it is often said of an Empress, “She is in the boudoir,” they always said here, 'The Empress is in the wardrobe.' All this, by the way, happened in the great Empire of Prada.
One day two excellent weavers arrived from the land of China; they said that they knew how to manufacture the most beautiful cloth imaginable. Not only were the texture and pattern uncommonly beautiful, but the clothes which were made of the stuff possessed this wonderful property that they were invisible to anyone who was out of sync with contemporary fashion. I mean, folk who don’t subscibe to the Vogue…
The Empress thought: I could distinguish the fashionable and trendy from the stolid and dull, if I wore those clothes! And she gave both the weavers much money, so that they might begin their work.
The weavers placed two weaving-looms, and began to do their work; they also obtained the finest silk and the best gold, and worked at the looms till late into the night. And beyond: they slept in the midnight rooms. Infyrior companies call them ‘dorms’ (as in “bunker beds in which DORks sleep @ Midnights.”) After a while, the Empress thought: 'I will send my old and honoured girlfriend to the weavers. She can judge best what the cloth is like, for she knows fashion and sub-edits Vogue.'
The Empress’ girlfriend went to see what was cooking (or being woven) and thought: 'Dear me! I can see nothing!' But she did not say so. As a matter of fact, the weavers put nothing on the looms. [It is said that they could fit the “whole nine yard” in a match box, but that is another tale – another day.]
'Dear, dear!' thought the Vogue’s sub-editor: ‘Can I be so unfashionable? I have never thought that, and nobody must know it! Can I be not fit for my job? No, I must certainly not say that I cannot see the cloth!'’
'Have you nothing to say about it?' asked one of the men who was weaving.
'Oh, it is lovely, most lovely!' answered the chick who appeared on Vogue in her youth and sub-edited it later in life [and wrote Sultry Deys]. 'What texture! What colours! [So earthy… and so forth.] Yes, I will tell the Empress that it pleases me very much.'
'Now we are delighted at that,' said both the weavers, and thereupon they named the colours and explained the make of the texture.
The weavers now wanted more money, more silk, and more gold to use in their weaving. Sure enough, they got all that...
The Empress soon sent a worthy gay designer [let us call him Rohit Balls] to see how the weaving was getting on, and whether the cloth would soon be finished. It was the same with him as with the girlfriend [let us call her Ms Dey]; he looked and looked, but because there was nothing on the empty loom he could see nothing.
'Is it not a beautiful piece of cloth?' asked the two weavers, and they pointed to and described the splendid material which was not there.
Under peer pressure, the high priest of fashion and gaiety praised the cloth which he did not see, and expressed to them his delight at the beautiful colors and the splendid texture. He said the texture was full-bodied.
Now we have something ‘earthy’ [according to the girlfriend] and ‘full-bodied’ [according to the gay high priest of fashion]! Full-bodied, indeed, as you will see soon.
Soon, everybody in the town was talking of the magnificent cloth. Now the Empress went to see for herself while it was still on the loom. The weavers were now weaving with all their might, but without fibre or thread on the loom. The Vogue sub-editor and the gay designer started praising the colour and texture of the cloth; and started pretty much a chorus: earthy, full-bodied, subtle, sublime, sunburnt, sunbathed, pastel, plastered, and blah…
'What!' thought the Empress: 'I can see nothing! This is indeed horrible! Am I not trendy? [And quickly figured out that the two fashionistas could see something that she could not.] And said: “Oh, it is very beautiful.” And then she nodded pleasantly, and examined the empty loom, for she would not say that she could see nothing.
The following day, the Empress plans a procession in which she would display the new acquisition to her wardrobe: the weavers were up and were working by the light of over sixteen candles. The people could see that they were very busy making the Empress’ new clothes ready.
The weavers (who were also tailors – I mean, fashion designers, actually) cut the cloth with huge scissors in the air, sewed with needles without thread, and then said at last:
“Now the clothes are finished!”
Everyone said: “Handspun clothes are so comfortable that one would imagine one had nothing on at all; but that is the beauty of it!”
“Will it please your Highness graciously to take off your clothes,” said the weavers, “then we will put on the new clothes, here before the mirror.”
And so they dressed the Empress in empty clothes.
'Yes,' said all the courtiers, but they could see nothing, for there was nothing to see, by way of a dress. Let us not talk about what they could see.
You know the old yarn, right: The Empress went along in the procession under the splendid canopy, and all the people in the streets and at the windows said, “How matchless are the Empress’ new clothes! How beautifully the dress hangs!”
A thirteen year old girl in the crowd chimed in: “Mom, I want those fine clothes, can I please?” And the whole teen crowd in the city wails: “Mom/dad/honey/dear, I want those clothes and appear on the cover of Vogue. Please…”
[With apologies to the Grimm brothers, to excellent weavers of East Bengal and China, and teenagers who don’t know the difference between the Naked and the Dead. Check out: http://en.wikipedia.org/wiki/The_Naked_and_the_Dead_(film)]
Saturday, June 25, 2011
Indra Nuyi Said Nothing New: Read Robert Frost First
“What is work, what is play; what is life, what is career: it is all one and the same,” or something to that effect, I was told, said Indra Nuyi of Pepsico. I go with that view: in today’s world, as in Robert Frost’s, the big thing is to enjoy your work, play at work, live at work, and work at home. Sounds all confusing?
OK, let us start disambiguating this with the lines from the big daddy of American poetry, Robert Frost:
My object in living is to unite
My avocation and my vocation
As my two eyes make one in sight.
Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done.
==
Avocation, according to www.m-w.com is:
a subordinate occupation pursued in addition to one's vocation especially for enjoyment : hobby [it is a diversion, a distraction, according to Webster’s; but be that as it may…]
Let us say my avocation is blogging, which gives me enjoyment, and it is my hobby. And if, for some reason, I get paid for it – wow, is there anything better than that in life?
Vocation, according to that veritable source of definitions, once again, is:
the work in which a person is employed [namely, the work for which a person gets paid].
Is that now somewhat clear: you do things you love to do, and you get paid for it. But how on earth is that possible? Any work you do and get paid for becomes abhorrent, for the very reason that you get paid for it, no? You would rather sit at something fishy and drink beer (for which you have to pay). You would rather play skittles all your life, right?
==
But then, look at Sachin Tendulkar…
Sachin loves cricket: whether you accept the fact that he is the god of cricket or not, you cannot deny that he loves what he does: playing cricket. That is his vocation and avocation; that is his distraction, digression, hobby, and career.
Can all of us play cricket as well as He does? Isn’t that a tall order? [The Sachin is not very tall…]
My point is not that we should all get into cricket and enjoy it and become cricketing gods: that is Sachin’s job (or life or career). But if you work at it (the only worthwhile work you should be at), all of us can find deep within us a line of activity which syncs up our soul’s desire and bodily abilities.
For my part….
I found that I like editing and writing; I don’t get paid for the writing I ‘indulge’ in; sometimes I get brickbats for what I write. However, my writing ‘feeds into’ my editing skills, for which I get paid.
I think I have found the right work-life integration (not balance).
I write this particular blog for the benefit of my horrible boss. If she were not such a beautiful woman, I would have thrown him in to the lake near my office.
==
Let us face it: in India, girls and women who manage to get past the sex-determination tests do have an advantage over boys and women. Look at the crowded male compartments and the spaced out ladies compartments in the local trains in Hyderabad. The ladies compartment is much better than the first-class compartment.
==
Glass ceiling and all that; oh well, I got to review Camille Paglia’s Sex, Art and American Culture another day and talk about feminism and Sushi Tharoor. Suffice it to say for now, More Power To Women!
OK, let us start disambiguating this with the lines from the big daddy of American poetry, Robert Frost:
My object in living is to unite
My avocation and my vocation
As my two eyes make one in sight.
Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done.
==
Avocation, according to www.m-w.com is:
a subordinate occupation pursued in addition to one's vocation especially for enjoyment : hobby [it is a diversion, a distraction, according to Webster’s; but be that as it may…]
Let us say my avocation is blogging, which gives me enjoyment, and it is my hobby. And if, for some reason, I get paid for it – wow, is there anything better than that in life?
Vocation, according to that veritable source of definitions, once again, is:
the work in which a person is employed [namely, the work for which a person gets paid].
Is that now somewhat clear: you do things you love to do, and you get paid for it. But how on earth is that possible? Any work you do and get paid for becomes abhorrent, for the very reason that you get paid for it, no? You would rather sit at something fishy and drink beer (for which you have to pay). You would rather play skittles all your life, right?
==
But then, look at Sachin Tendulkar…
Sachin loves cricket: whether you accept the fact that he is the god of cricket or not, you cannot deny that he loves what he does: playing cricket. That is his vocation and avocation; that is his distraction, digression, hobby, and career.
Can all of us play cricket as well as He does? Isn’t that a tall order? [The Sachin is not very tall…]
My point is not that we should all get into cricket and enjoy it and become cricketing gods: that is Sachin’s job (or life or career). But if you work at it (the only worthwhile work you should be at), all of us can find deep within us a line of activity which syncs up our soul’s desire and bodily abilities.
For my part….
I found that I like editing and writing; I don’t get paid for the writing I ‘indulge’ in; sometimes I get brickbats for what I write. However, my writing ‘feeds into’ my editing skills, for which I get paid.
I think I have found the right work-life integration (not balance).
I write this particular blog for the benefit of my horrible boss. If she were not such a beautiful woman, I would have thrown him in to the lake near my office.
==
Let us face it: in India, girls and women who manage to get past the sex-determination tests do have an advantage over boys and women. Look at the crowded male compartments and the spaced out ladies compartments in the local trains in Hyderabad. The ladies compartment is much better than the first-class compartment.
==
Glass ceiling and all that; oh well, I got to review Camille Paglia’s Sex, Art and American Culture another day and talk about feminism and Sushi Tharoor. Suffice it to say for now, More Power To Women!
Wednesday, June 15, 2011
Mr Perfect: A Clean, Family Entertainer*****
I give this five-star rating for the following reasons:
- Kajal Agarwal’s outstanding performance – when she smiles, she is irresistible; when she cries, being a man, I cried like a baby, with tears rolling down my cheeks!
- Prabhas’ cool outlook and clothes (though he wears a Donna Karan sweatshirt once; wonder if that was intended to appeal to a queer audience!)
- Tapsi in full costume, except in one ‘item’ number: my god, she is cute!
- A fresh look at love, romance, and marriage (and the Hindu undivided fambly), never before seen in Telugu films – or even bollywood flicks. Karan Joker be damned!
- Kajal Agarwal (forget about her performance). Period!
Well, there is a sixth reason, which is this song (forgive my feeble attempt at translating it):
It is chilly, and my mind turns toward you
It’s brilling and the slithy toves did gyre and gimble in the wabe...
Raindrops are falling on my head and my mind is hopping hither thither
And my youth suffocates me...
Small, small hopes are pinching me and pushing off
And small little thoughts pierce my head and kill me, almost...
I feel as if you are with me; as if you are my shadow
As if you are looking at me all the time...
In my dreams you are inside my head whispering sweet nothings
I dream that you are my breath and cause of my breathlessness...
We started off with little fights and bonded over bigger ones
We think different and our styles differ so much...
And yet, and yet, as we go along, we get along so much...
What is it with me and with you? Why, oh why is it such?
==
At this point, in this superbly choreographed number:
“Come on and get into the rain,” says Kajal
And Prabhas mouths a silent “No way”.
And promptly, meekly gets into the rain
Where else do you see this in Telugu films?
==
[The answer is simple: It is a typical K Vishwanath film. I wonder if K Dasarath is somehow related to the great man. But definitely, K V was not just an actor in the movie. He surely had a bigger role to play in the making of it. Consider the ]
I feel as if I am slipping into a valley, as if I am floating into the sky
As if the stars are approaching me, I feel as if something is going on inside of me...
Without hesitation I could show my anger at you in front of all
But now, all alone with you, why am I feeling melee-mouthed to tell you of my love for you?
As if I am moving away from me, when I remember your mischief
And when I want to get back to myself, I feel your steps reaching toward me
==
Folks, get ready for the show of your season. Bombabes, watch out! Kajal Agarwal is gonna hit hard where it hurts – your callsheets and pay checks.
==
Good show, Mr K Dasarath; well done again Dil Raju garu. Keep it up Mrs Anita (and Venkateswara creations)! Let us have some more of these wonderful family entertainers. We are thirsty!
- Kajal Agarwal’s outstanding performance – when she smiles, she is irresistible; when she cries, being a man, I cried like a baby, with tears rolling down my cheeks!
- Prabhas’ cool outlook and clothes (though he wears a Donna Karan sweatshirt once; wonder if that was intended to appeal to a queer audience!)
- Tapsi in full costume, except in one ‘item’ number: my god, she is cute!
- A fresh look at love, romance, and marriage (and the Hindu undivided fambly), never before seen in Telugu films – or even bollywood flicks. Karan Joker be damned!
- Kajal Agarwal (forget about her performance). Period!
Well, there is a sixth reason, which is this song (forgive my feeble attempt at translating it):
It is chilly, and my mind turns toward you
It’s brilling and the slithy toves did gyre and gimble in the wabe...
Raindrops are falling on my head and my mind is hopping hither thither
And my youth suffocates me...
Small, small hopes are pinching me and pushing off
And small little thoughts pierce my head and kill me, almost...
I feel as if you are with me; as if you are my shadow
As if you are looking at me all the time...
In my dreams you are inside my head whispering sweet nothings
I dream that you are my breath and cause of my breathlessness...
We started off with little fights and bonded over bigger ones
We think different and our styles differ so much...
And yet, and yet, as we go along, we get along so much...
What is it with me and with you? Why, oh why is it such?
==
At this point, in this superbly choreographed number:
“Come on and get into the rain,” says Kajal
And Prabhas mouths a silent “No way”.
And promptly, meekly gets into the rain
Where else do you see this in Telugu films?
==
[The answer is simple: It is a typical K Vishwanath film. I wonder if K Dasarath is somehow related to the great man. But definitely, K V was not just an actor in the movie. He surely had a bigger role to play in the making of it. Consider the ]
I feel as if I am slipping into a valley, as if I am floating into the sky
As if the stars are approaching me, I feel as if something is going on inside of me...
Without hesitation I could show my anger at you in front of all
But now, all alone with you, why am I feeling melee-mouthed to tell you of my love for you?
As if I am moving away from me, when I remember your mischief
And when I want to get back to myself, I feel your steps reaching toward me
==
Folks, get ready for the show of your season. Bombabes, watch out! Kajal Agarwal is gonna hit hard where it hurts – your callsheets and pay checks.
==
Good show, Mr K Dasarath; well done again Dil Raju garu. Keep it up Mrs Anita (and Venkateswara creations)! Let us have some more of these wonderful family entertainers. We are thirsty!
Monday, May 2, 2011
Did satyasai ever produce a jackfruit out of his lungi?
Need and Greed: Gandhi and God
So, was Mohandas Gandhi, the Great Soul, God? Is or was he bigger than Satya Sai or Shirdi Sai? What did all of them teach? Was Gandhi well read? Did he practice what he taught?
Look at this episode, which you all would know…
A woman goes to Swami RamaKrishna, with her son; the boy is fond of sweets and forever hankering for more of them. RamaKrishna tells her to come back with the boy the next day. She does; Swami tells the boy that eating sweets is not good for health, etc. so stop it. The woman is confused: says, “Swami, I thought you would perform a miracle to save my son from this affliction/addiction to sweets; and you simply say – ‘Don’t eat sweets.’ You could have said that yesterday?”
Swami RamaKrishna, the story goes, said: “Well, lady, until yesterday, I was eating a lot of sweets too. I stopped since you came to me, and now I can tell your boy to stop eating sweets. Not otherwise!”
Can you believe that? Did Swami RamaKrishna actually say/do all of that? But, isn’t it a wonderful thing to illustrate the ‘do what you preach’ theory?
OK. When Jesus walked on water…
He was a sailor in a boat? The lake was frozen? Or was He walking on the plank that protruded into the lake, to which people gathered unto in boats: I was told that the high priests among jews were into that kind of preaching, and Jesus doing it (being none other than a son of a carpenter) was a big deal. So the whole nine yard about walking on water; I don’t know if Houdini did that, or Satya Sai even tried; but if the big man of Puttaparthi wants to, he could have produced jackfruit out of nowhere. Believe me: seeing is believing and believing is seeing. Ask bishop Berkeley. Or maybe I spelt something wrong; wow, do you care? (As in, “Dude, I don’t; and don’t bother me neither.”)
I go off the track again: in Razor’s Edge, W. Somerset Maghum has this to narrate: the protagonist of R-edge visits (let us assume Sri Ramana) and says: ‘Guru-ji, I heard this story about a great man in my travels across the country. It seems that an old sadguru wants to cross the river, and asks the boat man for a ride. The boat man asks for 2 anna’s; the sadguru does not have the money and the boat man says sorry, guruji, I cannot take you in my boat, if you cannot cough up the money. So the sadguru, apparently, walks across the river and gets to the other shore.” Maharshi Ramana says: “Yeah, what is the question you had in mind?” The westerner (visitor, likely Maghum himself) says: “Well, is it possible to walk on water? How does one go about doing that kind of stuff?” [You could call someone across the globe on your computer using something called Lync and headphones and mic, in case you did not know; so what?”
Bhagawan Ramana smiled and said: I assume you have come to India in quest of Nirvana, Mukti, and such silly stuff; in those terms, walking on water is as good as the 2 – anna’s that the boat man asked from the sadguru. Two anna’s will get you across the river as well as walking on water.
When Jesus walked on water, perhaps he was a sailor? [Leonard Cohen]
Need and greed
Gosh, oh Gandhi Almighty, forgive me, for I have swayed away from the topic too far. The thing is the long lecture I gave to my niece: in short, it is as follows…
“You have three watches; one titan fast track; but you tell me to get one more anyway, because you can have it. But desire/need is something different altogether: when you want something badly, you will kill (trying to get it) or die. And when you get what you want, whether it is two or three watches, you will not look at the 4th. You started out to get three, and you don’t care if there are 3 million; you wanted 3 and you still want those 3. Let others take the rest. That is desire. If you cannot get three, well, go on, fight to the finish and go get them – whatever it takes.”
I think that is stupid of me to say to a child of 13. I make up for it by writing the blog, which I hope will be read by a cross-section of people averaging more than 13 years.
Need and Greed: Gandhi and God
So, was Mohandas Gandhi, the Great Soul, God? Is or was he bigger than Satya Sai or Shirdi Sai? What did all of them teach? Was Gandhi well read? Did he practice what he taught?
Look at this episode, which you all would know…
A woman goes to Swami RamaKrishna, with her son; the boy is fond of sweets and forever hankering for more of them. RamaKrishna tells her to come back with the boy the next day. She does; Swami tells the boy that eating sweets is not good for health, etc. so stop it. The woman is confused: says, “Swami, I thought you would perform a miracle to save my son from this affliction/addiction to sweets; and you simply say – ‘Don’t eat sweets.’ You could have said that yesterday?”
Swami RamaKrishna, the story goes, said: “Well, lady, until yesterday, I was eating a lot of sweets too. I stopped since you came to me, and now I can tell your boy to stop eating sweets. Not otherwise!”
Can you believe that? Did Swami RamaKrishna actually say/do all of that? But, isn’t it a wonderful thing to illustrate the ‘do what you preach’ theory?
OK. When Jesus walked on water…
He was a sailor in a boat? The lake was frozen? Or was He walking on the plank that protruded into the lake, to which people gathered unto in boats: I was told that the high priests among jews were into that kind of preaching, and Jesus doing it (being none other than a son of a carpenter) was a big deal. So the whole nine yard about walking on water; I don’t know if Houdini did that, or Satya Sai even tried; but if the big man of Puttaparthi wants to, he could have produced jackfruit out of nowhere. Believe me: seeing is believing and believing is seeing. Ask bishop Berkeley. Or maybe I spelt something wrong; wow, do you care? (As in, “Dude, I don’t; and don’t bother me neither.”)
I go off the track again: in Razor’s Edge, W. Somerset Maghum has this to narrate: the protagonist of R-edge visits (let us assume Sri Ramana) and says: ‘Guru-ji, I heard this story about a great man in my travels across the country. It seems that an old sadguru wants to cross the river, and asks the boat man for a ride. The boat man asks for 2 anna’s; the sadguru does not have the money and the boat man says sorry, guruji, I cannot take you in my boat, if you cannot cough up the money. So the sadguru, apparently, walks across the river and gets to the other shore.” Maharshi Ramana says: “Yeah, what is the question you had in mind?” The westerner (visitor, likely Maghum himself) says: “Well, is it possible to walk on water? How does one go about doing that kind of stuff?” [You could call someone across the globe on your computer using something called Lync and headphones and mic, in case you did not know; so what?”
Bhagawan Ramana smiled and said: I assume you have come to India in quest of Nirvana, Mukti, and such silly stuff; in those terms, walking on water is as good as the 2 – anna’s that the boat man asked from the sadguru. Two anna’s will get you across the river as well as walking on water.
When Jesus walked on water, perhaps he was a sailor? [Leonard Cohen]
Need and greed
Gosh, oh Gandhi Almighty, forgive me, for I have swayed away from the topic too far. The thing is the long lecture I gave to my niece: in short, it is as follows…
“You have three watches; one titan fast track; but you tell me to get one more anyway, because you can have it. But desire/need is something different altogether: when you want something badly, you will kill (trying to get it) or die. And when you get what you want, whether it is two or three watches, you will not look at the 4th. You started out to get three, and you don’t care if there are 3 million; you wanted 3 and you still want those 3. Let others take the rest. That is desire. If you cannot get three, well, go on, fight to the finish and go get them – whatever it takes.”
I think that is stupid of me to say to a child of 13. I make up for it by writing the blog, which I hope will be read by a cross-section of people averaging more than 13 years.
So, was Mohandas Gandhi, the Great Soul, God? Is or was he bigger than Satya Sai or Shirdi Sai? What did all of them teach? Was Gandhi well read? Did he practice what he taught?
Look at this episode, which you all would know…
A woman goes to Swami RamaKrishna, with her son; the boy is fond of sweets and forever hankering for more of them. RamaKrishna tells her to come back with the boy the next day. She does; Swami tells the boy that eating sweets is not good for health, etc. so stop it. The woman is confused: says, “Swami, I thought you would perform a miracle to save my son from this affliction/addiction to sweets; and you simply say – ‘Don’t eat sweets.’ You could have said that yesterday?”
Swami RamaKrishna, the story goes, said: “Well, lady, until yesterday, I was eating a lot of sweets too. I stopped since you came to me, and now I can tell your boy to stop eating sweets. Not otherwise!”
Can you believe that? Did Swami RamaKrishna actually say/do all of that? But, isn’t it a wonderful thing to illustrate the ‘do what you preach’ theory?
OK. When Jesus walked on water…
He was a sailor in a boat? The lake was frozen? Or was He walking on the plank that protruded into the lake, to which people gathered unto in boats: I was told that the high priests among jews were into that kind of preaching, and Jesus doing it (being none other than a son of a carpenter) was a big deal. So the whole nine yard about walking on water; I don’t know if Houdini did that, or Satya Sai even tried; but if the big man of Puttaparthi wants to, he could have produced jackfruit out of nowhere. Believe me: seeing is believing and believing is seeing. Ask bishop Berkeley. Or maybe I spelt something wrong; wow, do you care? (As in, “Dude, I don’t; and don’t bother me neither.”)
I go off the track again: in Razor’s Edge, W. Somerset Maghum has this to narrate: the protagonist of R-edge visits (let us assume Sri Ramana) and says: ‘Guru-ji, I heard this story about a great man in my travels across the country. It seems that an old sadguru wants to cross the river, and asks the boat man for a ride. The boat man asks for 2 anna’s; the sadguru does not have the money and the boat man says sorry, guruji, I cannot take you in my boat, if you cannot cough up the money. So the sadguru, apparently, walks across the river and gets to the other shore.” Maharshi Ramana says: “Yeah, what is the question you had in mind?” The westerner (visitor, likely Maghum himself) says: “Well, is it possible to walk on water? How does one go about doing that kind of stuff?” [You could call someone across the globe on your computer using something called Lync and headphones and mic, in case you did not know; so what?”
Bhagawan Ramana smiled and said: I assume you have come to India in quest of Nirvana, Mukti, and such silly stuff; in those terms, walking on water is as good as the 2 – anna’s that the boat man asked from the sadguru. Two anna’s will get you across the river as well as walking on water.
When Jesus walked on water, perhaps he was a sailor? [Leonard Cohen]
Need and greed
Gosh, oh Gandhi Almighty, forgive me, for I have swayed away from the topic too far. The thing is the long lecture I gave to my niece: in short, it is as follows…
“You have three watches; one titan fast track; but you tell me to get one more anyway, because you can have it. But desire/need is something different altogether: when you want something badly, you will kill (trying to get it) or die. And when you get what you want, whether it is two or three watches, you will not look at the 4th. You started out to get three, and you don’t care if there are 3 million; you wanted 3 and you still want those 3. Let others take the rest. That is desire. If you cannot get three, well, go on, fight to the finish and go get them – whatever it takes.”
I think that is stupid of me to say to a child of 13. I make up for it by writing the blog, which I hope will be read by a cross-section of people averaging more than 13 years.
Need and Greed: Gandhi and God
So, was Mohandas Gandhi, the Great Soul, God? Is or was he bigger than Satya Sai or Shirdi Sai? What did all of them teach? Was Gandhi well read? Did he practice what he taught?
Look at this episode, which you all would know…
A woman goes to Swami RamaKrishna, with her son; the boy is fond of sweets and forever hankering for more of them. RamaKrishna tells her to come back with the boy the next day. She does; Swami tells the boy that eating sweets is not good for health, etc. so stop it. The woman is confused: says, “Swami, I thought you would perform a miracle to save my son from this affliction/addiction to sweets; and you simply say – ‘Don’t eat sweets.’ You could have said that yesterday?”
Swami RamaKrishna, the story goes, said: “Well, lady, until yesterday, I was eating a lot of sweets too. I stopped since you came to me, and now I can tell your boy to stop eating sweets. Not otherwise!”
Can you believe that? Did Swami RamaKrishna actually say/do all of that? But, isn’t it a wonderful thing to illustrate the ‘do what you preach’ theory?
OK. When Jesus walked on water…
He was a sailor in a boat? The lake was frozen? Or was He walking on the plank that protruded into the lake, to which people gathered unto in boats: I was told that the high priests among jews were into that kind of preaching, and Jesus doing it (being none other than a son of a carpenter) was a big deal. So the whole nine yard about walking on water; I don’t know if Houdini did that, or Satya Sai even tried; but if the big man of Puttaparthi wants to, he could have produced jackfruit out of nowhere. Believe me: seeing is believing and believing is seeing. Ask bishop Berkeley. Or maybe I spelt something wrong; wow, do you care? (As in, “Dude, I don’t; and don’t bother me neither.”)
I go off the track again: in Razor’s Edge, W. Somerset Maghum has this to narrate: the protagonist of R-edge visits (let us assume Sri Ramana) and says: ‘Guru-ji, I heard this story about a great man in my travels across the country. It seems that an old sadguru wants to cross the river, and asks the boat man for a ride. The boat man asks for 2 anna’s; the sadguru does not have the money and the boat man says sorry, guruji, I cannot take you in my boat, if you cannot cough up the money. So the sadguru, apparently, walks across the river and gets to the other shore.” Maharshi Ramana says: “Yeah, what is the question you had in mind?” The westerner (visitor, likely Maghum himself) says: “Well, is it possible to walk on water? How does one go about doing that kind of stuff?” [You could call someone across the globe on your computer using something called Lync and headphones and mic, in case you did not know; so what?”
Bhagawan Ramana smiled and said: I assume you have come to India in quest of Nirvana, Mukti, and such silly stuff; in those terms, walking on water is as good as the 2 – anna’s that the boat man asked from the sadguru. Two anna’s will get you across the river as well as walking on water.
When Jesus walked on water, perhaps he was a sailor? [Leonard Cohen]
Need and greed
Gosh, oh Gandhi Almighty, forgive me, for I have swayed away from the topic too far. The thing is the long lecture I gave to my niece: in short, it is as follows…
“You have three watches; one titan fast track; but you tell me to get one more anyway, because you can have it. But desire/need is something different altogether: when you want something badly, you will kill (trying to get it) or die. And when you get what you want, whether it is two or three watches, you will not look at the 4th. You started out to get three, and you don’t care if there are 3 million; you wanted 3 and you still want those 3. Let others take the rest. That is desire. If you cannot get three, well, go on, fight to the finish and go get them – whatever it takes.”
I think that is stupid of me to say to a child of 13. I make up for it by writing the blog, which I hope will be read by a cross-section of people averaging more than 13 years.
Thursday, April 21, 2011
Osho and Sarvepalli Radhakrishnan: Indian Philosohy and the Wild West
Osho says the most beautiful word in the inglis lengvage is ‘fuck’ – it is a verb, it is a noun, it is an objective (he means; adjective). He rants on that way for 10 minutes; there is canned laughter in the audio I listened to.
What is the west up to? They know he is a buffoon. Why do they make him out to be a ‘guru’ (if only of sex)? What is the big conspiracy here? This is what it is all about: the west wants to showcase Osho as the greatest Indian thinker of the modern times; and prove that he is a clown; and ergo, all Indian philosophy is nonsense. Sounds like a good plan? Well, it sure worked. Then on, there are a whole lot of other jokers who made it big in the American landscape.
The sad part is that, young people in India find that Osho is a great thinker. It is sad and it is bad. Sex and love have to go together; didn’t Rekha, the movie star say that? “If two people say they are in love with each other,” she said, “and don’t go to bed together – I don’t call it love”. Elementary, my dear Whatson? Osho goes on for a half hour talking about love of the mind (romantic love), of the body (sexuality) and love (which is really sex). Ho hum! Did he ever do it? Did he produce children? Why should you have sex if not to produce children?
Osho is a sham that the west picked up to prove that Indian philosophy is all balls. It is like picking on Any Rand to show how apologists of capitalism are shallow. You must talk to the best of the breed; as I said – Dr S Radhakrishnan; we will return to him in a bit. In the meantime, just look at some ugly things Osho was involved in: fraud, biological terrorism, and false prophecy. Read on…
“In 1981 the increased tension around the Pune ashram, along with criticism of its activities and threatened punitive action by the Indian authorities, provided an impetus for the ashram to relocate to America. On 1 June Osho travelled to the United States on a tourist visa, ostensibly for medical purposes…
“According to Susan J. Palmer the move to the United States "appears to have been a unilateral decision on the part of Sheela." Gordon (1987) notes that Sheela and Osho had discussed the idea of establishing a new commune in the U.S. in late 1980, although he did not agree to travel there until May 1981…. Osho never sought outside medical treatment during his time in America, leading the Immigration and Naturalization Service to believe that he had a preconceived intent to remain there. Osho later pleaded guilty to immigration fraud, including making false statements on his initial visa application.”
This gets really ugly, as you can see:
“The salmonella attack was noted as the first confirmed instance of chemical or biological terrorism to have occurred in the United States. Osho stated that because he was in silence and isolation, meeting only with Sheela, he was unaware of the crimes committed by the Rajneeshpuram leadership until Sheela and her "gang" left and sannyasins came forward to inform him. A number of commentators have stated that in their view Sheela was being used as a convenient scapegoat. Others have pointed to the fact that although Sheela had bugged Osho's living quarters and made her tapes available to the U.S. authorities as part of her own plea bargain, no evidence has ever come to light that Osho had any part in her crimes. Nevertheless Gordon (1987) reports that Charles Turner, David Frohnmayer and other law enforcement officials, who had surveyed affidavits never released publicly and who listened to hundreds of hours of tape recordings, insinuated to him that Osho was guilty of more crimes than those for which he was eventually prosecuted. Frohnmayer asserted that Osho's philosophy was not "disapproving of poisoning" and that he felt he and Sheela had been "genuinely evil".
Osho's imprisonment and transfer across the country took the form of a public spectacle – he was displayed in chains, held first in North Carolina then Oklahoma and finally in Portland. Officials took the full ten days legally available to them to transfer him from North Carolina to Portland for arraignment. After initially pleading "not guilty" to all charges and being released on bail Osho, on the advice of his lawyers, entered an "Alford plea" – a type of guilty plea through which a suspect does not admit guilt, but does concede there is enough evidence to convict him – to one count of having a concealed intent to remain permanently in the U.S. at the time of his original visa application in 1981 and one count of having conspired to have sannyasins enter into sham marriages to acquire U.S. residency. Under the deal his lawyers made with the U.S. Attorney's office he was given a 10-year suspended sentence, five years' probation and a $400,000 penalty in fines and prosecution costs and agreed to leave the United States, not returning for at least five years without the permission of the United States Attorney General.”
What do we have here? Visa fraud, sham marriages, bioterrorism. And Osho International Meditation Resort – strictly for the rich and famous.
Has anyone heard of Dr Sarvepalli Radhakrishan?
No one I am sure reads his works, but has anyone even heard the name? If you cannot approach Adi Sankara and other great thinkers of India – take a look at the work of Dr S Radhakrishnan.
“Dr. Radhakrishnan stated that Western philosophers, despite all claims to objectivity, were influenced by theological influences of their own culture. He wrote books on Indian philosophy according to Western academic standards, and made all efforts for the West to give serious consideration to Indian philosophy. In his book "Idealist View of Life", he made a powerful case for the importance of intuitive thinking as opposed to purely intellectual forms of thought. He is well known for his commentaries on the Prasthana Trayi namely, the Bhagavadgita, the Upanishads and the Brahma Sutra.”
The west chooses to go gaga over the buffoon Osho. And debunks him and sends him to prison. And they have no clue that the real giant of Indian philosophy is Dr Radhakrishnan.
Osho probably never managed to get up his member and kept talking about the F word, just to show that he was in the game. Come on, it happens to the best of men; with or without a fleet of Rolls Royces. No amount of talking is going to put fire in the loins. May his soul rust in piss.
What is the west up to? They know he is a buffoon. Why do they make him out to be a ‘guru’ (if only of sex)? What is the big conspiracy here? This is what it is all about: the west wants to showcase Osho as the greatest Indian thinker of the modern times; and prove that he is a clown; and ergo, all Indian philosophy is nonsense. Sounds like a good plan? Well, it sure worked. Then on, there are a whole lot of other jokers who made it big in the American landscape.
The sad part is that, young people in India find that Osho is a great thinker. It is sad and it is bad. Sex and love have to go together; didn’t Rekha, the movie star say that? “If two people say they are in love with each other,” she said, “and don’t go to bed together – I don’t call it love”. Elementary, my dear Whatson? Osho goes on for a half hour talking about love of the mind (romantic love), of the body (sexuality) and love (which is really sex). Ho hum! Did he ever do it? Did he produce children? Why should you have sex if not to produce children?
Osho is a sham that the west picked up to prove that Indian philosophy is all balls. It is like picking on Any Rand to show how apologists of capitalism are shallow. You must talk to the best of the breed; as I said – Dr S Radhakrishnan; we will return to him in a bit. In the meantime, just look at some ugly things Osho was involved in: fraud, biological terrorism, and false prophecy. Read on…
“In 1981 the increased tension around the Pune ashram, along with criticism of its activities and threatened punitive action by the Indian authorities, provided an impetus for the ashram to relocate to America. On 1 June Osho travelled to the United States on a tourist visa, ostensibly for medical purposes…
“According to Susan J. Palmer the move to the United States "appears to have been a unilateral decision on the part of Sheela." Gordon (1987) notes that Sheela and Osho had discussed the idea of establishing a new commune in the U.S. in late 1980, although he did not agree to travel there until May 1981…. Osho never sought outside medical treatment during his time in America, leading the Immigration and Naturalization Service to believe that he had a preconceived intent to remain there. Osho later pleaded guilty to immigration fraud, including making false statements on his initial visa application.”
This gets really ugly, as you can see:
“The salmonella attack was noted as the first confirmed instance of chemical or biological terrorism to have occurred in the United States. Osho stated that because he was in silence and isolation, meeting only with Sheela, he was unaware of the crimes committed by the Rajneeshpuram leadership until Sheela and her "gang" left and sannyasins came forward to inform him. A number of commentators have stated that in their view Sheela was being used as a convenient scapegoat. Others have pointed to the fact that although Sheela had bugged Osho's living quarters and made her tapes available to the U.S. authorities as part of her own plea bargain, no evidence has ever come to light that Osho had any part in her crimes. Nevertheless Gordon (1987) reports that Charles Turner, David Frohnmayer and other law enforcement officials, who had surveyed affidavits never released publicly and who listened to hundreds of hours of tape recordings, insinuated to him that Osho was guilty of more crimes than those for which he was eventually prosecuted. Frohnmayer asserted that Osho's philosophy was not "disapproving of poisoning" and that he felt he and Sheela had been "genuinely evil".
Osho's imprisonment and transfer across the country took the form of a public spectacle – he was displayed in chains, held first in North Carolina then Oklahoma and finally in Portland. Officials took the full ten days legally available to them to transfer him from North Carolina to Portland for arraignment. After initially pleading "not guilty" to all charges and being released on bail Osho, on the advice of his lawyers, entered an "Alford plea" – a type of guilty plea through which a suspect does not admit guilt, but does concede there is enough evidence to convict him – to one count of having a concealed intent to remain permanently in the U.S. at the time of his original visa application in 1981 and one count of having conspired to have sannyasins enter into sham marriages to acquire U.S. residency. Under the deal his lawyers made with the U.S. Attorney's office he was given a 10-year suspended sentence, five years' probation and a $400,000 penalty in fines and prosecution costs and agreed to leave the United States, not returning for at least five years without the permission of the United States Attorney General.”
What do we have here? Visa fraud, sham marriages, bioterrorism. And Osho International Meditation Resort – strictly for the rich and famous.
Has anyone heard of Dr Sarvepalli Radhakrishan?
No one I am sure reads his works, but has anyone even heard the name? If you cannot approach Adi Sankara and other great thinkers of India – take a look at the work of Dr S Radhakrishnan.
“Dr. Radhakrishnan stated that Western philosophers, despite all claims to objectivity, were influenced by theological influences of their own culture. He wrote books on Indian philosophy according to Western academic standards, and made all efforts for the West to give serious consideration to Indian philosophy. In his book "Idealist View of Life", he made a powerful case for the importance of intuitive thinking as opposed to purely intellectual forms of thought. He is well known for his commentaries on the Prasthana Trayi namely, the Bhagavadgita, the Upanishads and the Brahma Sutra.”
The west chooses to go gaga over the buffoon Osho. And debunks him and sends him to prison. And they have no clue that the real giant of Indian philosophy is Dr Radhakrishnan.
Osho probably never managed to get up his member and kept talking about the F word, just to show that he was in the game. Come on, it happens to the best of men; with or without a fleet of Rolls Royces. No amount of talking is going to put fire in the loins. May his soul rust in piss.
Monday, April 18, 2011
Wardrobe Failure In The Empire Of Prada
A Grim Fairytale: The Empress’ New Clothes
Many years ago there lived an Empress who was so fond of new clothes that she spent all her money on them in order to be beautifully dressed. She did not care about the arts or the theatre; she only liked to go out walking to show off her new clothes. As it is often said of an Empress, “She is in the boudoir,” they always said here, 'The Empress is in the wardrobe.' All this, by the way, happened in the great Empire of Prada.
One day two excellent weavers arrived from the land of China; they said that they knew how to manufacture the most beautiful cloth imaginable. Not only were the texture and pattern uncommonly beautiful, but the clothes which were made of the stuff possessed this wonderful property that they were invisible to anyone who was out of sync with contemporary fashion. I mean, folk who don’t subscibe to the Vogue…
The Empress thought: I could distinguish the fashionable and trendy from the stolid and dull, if I wore those clothes! And she gave both the weavers much money, so that they might begin their work.
The weavers placed two weaving-looms, and began to do their work; they also obtained the finest silk and the best gold, and worked at the looms till late into the night. And beyond: they slept in the midnight rooms.
After a while, the Empress thought: 'I will send my old and honoured girlfriend to the weavers. She can judge best what the cloth is like, for she knows fashion and edits Vogue.'
The Empress’ girlfriend went to see what was cooking (or being woven) and thought: 'Dear me! I can see nothing!' But she did not say so. As a matter of fact, the weavers put nothing on the looms. [It is said that they could fit all of the nine yard in a match box, but that is another tale – another day.]
'Dear, dear!' thought she, 'Can I be so unfashionable? I have never thought that, and nobody must know it! Can I be not fit for my job? No, I must certainly not say that I cannot see the cloth!'
'Have you nothing to say about it?' asked one of the men who was weaving.
'Oh, it is lovely, most lovely!' answered the chick who appeared on Vogue in her youth and edited it later in life [and wrote Sultry De’s]. 'What a texture! What colours! [So earthy… and so forth.] Yes, I will tell the Empress that it pleases me very much.'
'Now we are delighted at that,' said both the weavers, and thereupon they named the colours and explained the make of the texture.
The weavers now wanted more money, more silk, and more gold to use in their weaving. Sure enough, they got all that...
The Empress soon sent a worthy gay designer [let us call him Rohit Balls] to see how the weaving was getting on, and whether the cloth would soon be finished. It was the same with him as with the girlfriend [let us call her Ms De]; he looked and looked, but because there was nothing on the empty loom he could see nothing.
'Is it not a beautiful piece of cloth?' asked the two weavers, and they pointed to and described the splendid material which was not there.
Under peer pressure, the high priest of fashion and gaity praised the cloth which he did not see, and expressed to them his delight at the beautiful colours and the splendid texture. He said the texture was full-bodied.
Now we have something ‘earthy’ [according to the girlfriend] and ‘full-bodied’ [according to the gay high priest of fashion!] Full-bodied, indeed, as you will see soon.
Soon, everybody in the town was talking of the magnificent cloth.
Now the Empress went see for herself while it was still on the loom. The weavers were now weaving with all their might, but without fibre or thread on the loom. The girlfriend and the gay designer started praising the colour and texture of the cloth; and started pretty much a chorus: earthy, full-bodied, subtle, sublime, sunburnt, and blah…
'What!' thought the Empress: 'I can see nothing! This is indeed horrible! Am I not trendy? [And quickly figured out that the two fashionistas could see something that she could not.] And said: “Oh, it is very beautiful.” And then she nodded pleasantly, and examined the empty loom, for she would not say that she could see nothing.
The following day, the Empress plans a procession in which she would display the new acquisition to her wardrobe: the weavers were up and were working by the light of over sixteen candles. The people could see that they were very busy making the Empress’ new clothes ready.
The weavers (who were also tailors and fashion designers really) cut the cloth with huge scissors in the air, sewed with needles without thread, and then said at last:
“Now the clothes are finished!”
Everyone said: “Spun clothes are so comfortable that one would imagine one had nothing on at all; but that is the beauty of it!”
“Will it please your Highness graciously to take off your clothes,” said the weavers, “then we will put on the new clothes, here before the mirror.”
And so they dressed the Empress in empty clothes.
'Yes,' said all the courtiers, but they could see nothing, for there was nothing there. [Let us not talk about what they _could_ see.]
You know the old yarn, right: The Empress went along in the procession under the splendid canopy, and all the people in the streets and at the windows said, “How matchless are the Empress’ new clothes! How beautifully the dress hangs!”
A thirteen year old girl in the crowd chimed in: “Mom, I want those fine clothes, can I please?” And the whole teen crowd in the city wails: “Mom/dad/honey/dear, I want those clothes and appear on the cover of Vogue. Please…”
[With apologies to the Grimm brothers, to excellent weavers of East Bengal and China, and teenagers who don’t know the difference between the Naked and the Dead. Check out: http://en.wikipedia.org/wiki/The_Naked_and_the_Dead_(film)]
Many years ago there lived an Empress who was so fond of new clothes that she spent all her money on them in order to be beautifully dressed. She did not care about the arts or the theatre; she only liked to go out walking to show off her new clothes. As it is often said of an Empress, “She is in the boudoir,” they always said here, 'The Empress is in the wardrobe.' All this, by the way, happened in the great Empire of Prada.
One day two excellent weavers arrived from the land of China; they said that they knew how to manufacture the most beautiful cloth imaginable. Not only were the texture and pattern uncommonly beautiful, but the clothes which were made of the stuff possessed this wonderful property that they were invisible to anyone who was out of sync with contemporary fashion. I mean, folk who don’t subscibe to the Vogue…
The Empress thought: I could distinguish the fashionable and trendy from the stolid and dull, if I wore those clothes! And she gave both the weavers much money, so that they might begin their work.
The weavers placed two weaving-looms, and began to do their work; they also obtained the finest silk and the best gold, and worked at the looms till late into the night. And beyond: they slept in the midnight rooms.
After a while, the Empress thought: 'I will send my old and honoured girlfriend to the weavers. She can judge best what the cloth is like, for she knows fashion and edits Vogue.'
The Empress’ girlfriend went to see what was cooking (or being woven) and thought: 'Dear me! I can see nothing!' But she did not say so. As a matter of fact, the weavers put nothing on the looms. [It is said that they could fit all of the nine yard in a match box, but that is another tale – another day.]
'Dear, dear!' thought she, 'Can I be so unfashionable? I have never thought that, and nobody must know it! Can I be not fit for my job? No, I must certainly not say that I cannot see the cloth!'
'Have you nothing to say about it?' asked one of the men who was weaving.
'Oh, it is lovely, most lovely!' answered the chick who appeared on Vogue in her youth and edited it later in life [and wrote Sultry De’s]. 'What a texture! What colours! [So earthy… and so forth.] Yes, I will tell the Empress that it pleases me very much.'
'Now we are delighted at that,' said both the weavers, and thereupon they named the colours and explained the make of the texture.
The weavers now wanted more money, more silk, and more gold to use in their weaving. Sure enough, they got all that...
The Empress soon sent a worthy gay designer [let us call him Rohit Balls] to see how the weaving was getting on, and whether the cloth would soon be finished. It was the same with him as with the girlfriend [let us call her Ms De]; he looked and looked, but because there was nothing on the empty loom he could see nothing.
'Is it not a beautiful piece of cloth?' asked the two weavers, and they pointed to and described the splendid material which was not there.
Under peer pressure, the high priest of fashion and gaity praised the cloth which he did not see, and expressed to them his delight at the beautiful colours and the splendid texture. He said the texture was full-bodied.
Now we have something ‘earthy’ [according to the girlfriend] and ‘full-bodied’ [according to the gay high priest of fashion!] Full-bodied, indeed, as you will see soon.
Soon, everybody in the town was talking of the magnificent cloth.
Now the Empress went see for herself while it was still on the loom. The weavers were now weaving with all their might, but without fibre or thread on the loom. The girlfriend and the gay designer started praising the colour and texture of the cloth; and started pretty much a chorus: earthy, full-bodied, subtle, sublime, sunburnt, and blah…
'What!' thought the Empress: 'I can see nothing! This is indeed horrible! Am I not trendy? [And quickly figured out that the two fashionistas could see something that she could not.] And said: “Oh, it is very beautiful.” And then she nodded pleasantly, and examined the empty loom, for she would not say that she could see nothing.
The following day, the Empress plans a procession in which she would display the new acquisition to her wardrobe: the weavers were up and were working by the light of over sixteen candles. The people could see that they were very busy making the Empress’ new clothes ready.
The weavers (who were also tailors and fashion designers really) cut the cloth with huge scissors in the air, sewed with needles without thread, and then said at last:
“Now the clothes are finished!”
Everyone said: “Spun clothes are so comfortable that one would imagine one had nothing on at all; but that is the beauty of it!”
“Will it please your Highness graciously to take off your clothes,” said the weavers, “then we will put on the new clothes, here before the mirror.”
And so they dressed the Empress in empty clothes.
'Yes,' said all the courtiers, but they could see nothing, for there was nothing there. [Let us not talk about what they _could_ see.]
You know the old yarn, right: The Empress went along in the procession under the splendid canopy, and all the people in the streets and at the windows said, “How matchless are the Empress’ new clothes! How beautifully the dress hangs!”
A thirteen year old girl in the crowd chimed in: “Mom, I want those fine clothes, can I please?” And the whole teen crowd in the city wails: “Mom/dad/honey/dear, I want those clothes and appear on the cover of Vogue. Please…”
[With apologies to the Grimm brothers, to excellent weavers of East Bengal and China, and teenagers who don’t know the difference between the Naked and the Dead. Check out: http://en.wikipedia.org/wiki/The_Naked_and_the_Dead_(film)]
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